Compare and Contrast Bodies of Work by Two Artists

2. Comp be and contrast bodies of work by two artists you have studied. In your discussion, cope the significance of intentions to their practise. The intention of practitioners is pivotal to their practice, these intentions may be different or similar in the midst of artists, and two artists whose body of works leave behind be discussed throughout this response include Chris ODoherty (b. 1951) a coetaneous Australian artist and Lin lode (b. 1948 d. 1996) a contemporary Indigenous Australian artist.The artworks in which will be compared and contrasted are Chris ODohertys Aussie deliveryman series, including Aussie Jesus at the football (1996) available in poster, calendar and t-shirt organise and Lin Onus three metre commingle media installation Fruit wacky(1990) Although both artists are Australian, Chris ODoherty is an Anglo-Saxon Australian and was raised as a Christian and has a commercial background, as a rock musician he conveys his intentions in pop shade with many an(prenominal) of his artworks placed on T-shirts, posters and calendars, an example of this is his artwork Jesus at the Football, whereas Lin Onus is not influenced by a commercial background, growing up as a man who had experienced the segregation and preoccupation of the aboriginal peoples, Lin onus artworks are made to illustrate the loss and hope for aboriginal culture and how it has confused with western culture, this can be seen in his artwork Fruit bats he is an Indigenous Australian raised in prime culture. However despite these differences they both identify with Australian contemporary culture. In this way that an artists world impacts their body of work.Chris ODohertys intentions were directly influenced by him world a commercial artist, as when he was in the band Mad as Anything he would institution their album covers, and other promotional merchandise, this relates to many of his works such(prenominal) as Aussie Jesus at the Football which can be bought in the for m of a poster, calendar, and shirts, this is a direct reference to ODohertys use of popular culture in order to spread his art to a wide auditory modality ODoherty also uses his artwork to educate his audience on spiritual facets in contemporary Australia, epoch using humour in order to better snuff it what he is trying to express, this can be seen in many of his Aussie Jesus works, specifically Aussie Jesus at the football (1996) through the use of the reinterpreted form of Jesus if he was Australian, ODoherty re-invents The rule book story of The Miracle of the Loaves and the Fishes into a new Australian setting of the Miracle of the pies and beer in which allows him to reinterpret the original moral lesson, and to make a contemporary comment about the nature of godliness in our culture today, in terms of our worship of food, beer and sports more(prenominal) than things such as family or church. also Lin Onus aims to educate his audience on the Traditional Aboriginal cult ure, how it has become moulded to western culture and how it affects the Aboriginal peoples.The installation Fruit loco(1990) is a collection in which displays the fruit bats hanging of a Hill Hoist (clothesline) a symbol of western culture, in which is a direct reference to the event of suburbia on the land and how these indigenous animals have adapted through them hanging of the clothesline and not a tree. However there is also a use of humour in his work, the small disks located on the floor and up the post of the hills hoist are symbols of the bats droppings, however display a salad days like pattern. In this way Onus wishes to reflect on his culture in terms of the growth of the intertwining of Aboriginal and Western cultures.Lin Onus also uses the medium of an installation in the artwork Fruit sappy (1990) which enables the audience to participate with the work and therefore is available for a wider audience much like ODoherty. The artworks Differ in their medium, Lin Onu s Fruit balmy (1990) is an installation piece made up of mixed media, whereas many of ODohertys works such as Aussie Jesus at the Football are purchasable items in the form of posters, Calenders, shirts and much more, these are however linked to their common ability to communicate to a larger audience as ODohertys work can be bought by many and Onus Fruit Bats can involve a large audience.Another contrasting aspect of these works is the religion imbued in the work where as Aussie Jesus implies the artworks Christian nature Chis ODohertys work is subtly Indigenous through the use of Traditional aboriginal symbols and techniques seen in Fruit Bats(1990), this then leads to the differences in the elegant style of the bodies of work, ODoherty uses a comic like style in his illustrations of the bible in contemporary terms, small-arm Onus mixes Western and Traditional Aboriginal art styles such as the Arnhem land crosshatching seen on the wings of the fruit bats in the artwork Fruit Ba ts (1990), in this way both collections of work communicate culture and spirituality. The artworks also contrast in their posit matters while Chris ODoherty deals with the ideas of worship and contemporary Australian culture in his Aussie Jesus specifically Aussie Jesus at the Football(1996), Lin Onus focuses on the mixing of Western culture and Indigenous Australian culture and its effect on Aboriginal Australians. Finally Both artworks deal with Humour in their works while still pertaining to communicate a more serious message. ODoherty uses humour in that he re-contextualises the bible stories into more comedic modern terms while making a point on Australian contemporary culture and worship.Lin Onus also uses humour in his work Fruit Bats through the disks with rash patterns scattered over and around the Hills Hoist actually representing the bat droppings, however still communicating the more serious notion of the adaption of the Aboriginal people to western culture. It is evid ent that Both Lin Onus and Chris ODoherty address the significance of intention to their practise. This has been demonstrated by comparing their bodies of work, including Chis ODohertys Aussie Jesus series and Lin Onus installation piece Fruit Bats (1990). While these artists are completely different in their artistic styles, subject matter and mediums they share a common interest in their intentions of their art practise, showing their experience on Australian culture and heritage, while imbuing their works with spirituality, humour and making it more accessible to a wide audience.